Manchester Centre for Anglo-Saxon Studies (MANCASS)
Easter Conference 2015
Hulme Hall, University of Manchester, UK
7-9 April 2015
Proposals for 20 minute papers on this topic are invited. Topics that the conference will include, but are not limited to:
• Male identities and constructions of masculinity
• Literary presentations and representations of manhood
• Laws and Penitentials
• Male sexualities
• Manhood and Archaeology
• Representations of masculinity in art
We are looking for submissions (approx. 300 words) on these and related subjects to reach us by 30th November 2014. Please send submissions, and direct enquiries to the conference director, Dr Charles Insley, Department of History, University of Manchester.
Saturday, 26 July 2014
Wednesday, 16 July 2014
CFP: Gender and Medieval Studies Conference 2015
Gender, Dirt and Taboo
7-9 January 2015
Bangor University
The Middle Ages are synonymous with dirt – bodily, spiritual, linguistic and literary. People lived in closer proximity to the material reality of filth: privies, animal waste, the midden, and while walking city streets. Keeping one’s body and clothes uncontaminated by filth would have represented a challenge. The Church took great pains to warn about the polluting effect of sin, and the literal and metaphorical stains that it could leave upon body and soul. The Middle Ages remains (in)famous, to some, due to the perception that its comedy is simply ‘latrine humour.’ Women, with their leaky and pollutant bodies, lie at the heart of the medieval materiality of filth. Throughout her life course, a woman engaged with dirt; in bearing children, caring for the sick, working within the household and outside of the home, listening to sermons in church and to literature in a variety of contexts. In the misogynist discourse of Churchmen such as Odo of Cluny, woman was little more than dirt herself. Odo of Cluny did not acknowledge that manure is, of course, essential to healthy new growth.
We welcome abstracts from postgraduates and colleagues on all aspects of gender, dirt and taboo and from a broad range of disciplines, including history, archaeology, book history, literature, art history, music, theology and medicine.
Papers are particularly welcome on, but are not limited to:
The language of dirt
Dirt in texts/‘dirty’ texts
Landscapes of dirt
Bodily dirt
Dramatising dirt
Dirt and spirituality
Dirt and sexuality
Controlling/cleansing dirt
The comedy of dirt
The science of dirt
Please send abstracts of 200-300 words, for papers lasting 20 minutes, no later than 30 September 2014 to Dr Sue Niebrzydowski (School of English, Bangor University) for consideration. Please also include your research area, institution and level of study in your abstract.
It is hoped that The Kate Westoby Fund will be able to offer a modest contribution (but not the full costs) towards as many student travel expenses as possible.
7-9 January 2015
Bangor University
‘to embrace a woman is to embrace a sack of manure’
Odo of Cluny
The Middle Ages are synonymous with dirt – bodily, spiritual, linguistic and literary. People lived in closer proximity to the material reality of filth: privies, animal waste, the midden, and while walking city streets. Keeping one’s body and clothes uncontaminated by filth would have represented a challenge. The Church took great pains to warn about the polluting effect of sin, and the literal and metaphorical stains that it could leave upon body and soul. The Middle Ages remains (in)famous, to some, due to the perception that its comedy is simply ‘latrine humour.’ Women, with their leaky and pollutant bodies, lie at the heart of the medieval materiality of filth. Throughout her life course, a woman engaged with dirt; in bearing children, caring for the sick, working within the household and outside of the home, listening to sermons in church and to literature in a variety of contexts. In the misogynist discourse of Churchmen such as Odo of Cluny, woman was little more than dirt herself. Odo of Cluny did not acknowledge that manure is, of course, essential to healthy new growth.
We welcome abstracts from postgraduates and colleagues on all aspects of gender, dirt and taboo and from a broad range of disciplines, including history, archaeology, book history, literature, art history, music, theology and medicine.
Papers are particularly welcome on, but are not limited to:
The language of dirt
Dirt in texts/‘dirty’ texts
Landscapes of dirt
Bodily dirt
Dramatising dirt
Dirt and spirituality
Dirt and sexuality
Controlling/cleansing dirt
The comedy of dirt
The science of dirt
Please send abstracts of 200-300 words, for papers lasting 20 minutes, no later than 30 September 2014 to Dr Sue Niebrzydowski (School of English, Bangor University) for consideration. Please also include your research area, institution and level of study in your abstract.
It is hoped that The Kate Westoby Fund will be able to offer a modest contribution (but not the full costs) towards as many student travel expenses as possible.
Friday, 13 June 2014
WIN 3 BOOKS! Wolf-Girls Competition (International Entry)
A fantastic new competition from Hic Dragones, the Manchester-based small press run by our treasurer...
Enter now via the Rafflecopter widget below for a chance to win 3 wonderful paperbacks PLUS an exclusive WOLF-GIRLS tote bag!
Wolf-Girls: Dark Tales of Teeth, Claws and Lygogyny
edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster. The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
In addition to this lycanthropic anthology, the prize also includes novels by two of the contributors: Kim Bannerman and Beth Daley!
The Tattooed Wolf
by K. Bannerman
Morris Caufield thought he’d seen it all…
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves…
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Blood and Water
by Beth Daley
Dora lives by the sea. Dora has always lived by the sea. But she won’t go into the water.
The last time Dora swam in the sea was the day of her mother’s funeral, the day she saw the mermaid. Now she’s an adult, a respectable married woman, and her little sister Lucie has come home from university with a horrible secret. Dora’s safe and dry life begins to fray, as she is torn between protecting her baby sister and facing up to a truth she has always known but never admitted. And the sea keeps calling her, reminding her of what she saw beneath the waves all those years ago… of what will be waiting for her if she dives in again.
Enter now!
a Rafflecopter giveaway
Enter now via the Rafflecopter widget below for a chance to win 3 wonderful paperbacks PLUS an exclusive WOLF-GIRLS tote bag!
Wolf-Girls: Dark Tales of Teeth, Claws and Lygogyny
edited by Hannah Kate
Feral, vicious, fierce and lost… the she-wolf is a strange creature of the night. Attractive to some; repulsive to others, she stalks the fringes of our world as though it were her prey. She is the baddest of girls, the fatalest of femmes – but she is also the excluded, the abject, the monster. The Wolf-Girls within these pages are mad, bad and dangerous to know. But they are also rejected and tortured, loving and loyal, avenging and triumphant. Some of them are even human…
Seventeen new tales of dark, snarling lycogyny by Nu Yang, Mary Borsellino, Lyn Lockwood, Mihaela Nicolescu, L. Lark, Jeanette Greaves, Kim Bannerman, Lynsey May, Hannah Kate, J. K. Coi, Rosie Garland, R. A. Martens, Beth Daley, Marie Cruz, Helen Cross, Andrew Quinton and Sarah Peacock.
In addition to this lycanthropic anthology, the prize also includes novels by two of the contributors: Kim Bannerman and Beth Daley!
The Tattooed Wolf
by K. Bannerman
Morris Caufield thought he’d seen it all…
Until the moment Dan Sullivan walked into his office. Dan needs a divorce lawyer he can trust, and he thinks Morris is the man for the job. The thing is, Dan wants Morris to represent his wife. Who tried to kill him. Twice. And as if that wasn’t enough, Dan expects Morris to buy some crazy story about werewolves…
As Dan reveals the truth about his life and his marriage, Morris listens to a captivating tale of lycanthropy, love and betrayal. It’s lunacy, he’s sure of that, but there’s something about Dan Sullivan that makes it all very easy to believe.
Blood and Water
by Beth Daley
Dora lives by the sea. Dora has always lived by the sea. But she won’t go into the water.
The last time Dora swam in the sea was the day of her mother’s funeral, the day she saw the mermaid. Now she’s an adult, a respectable married woman, and her little sister Lucie has come home from university with a horrible secret. Dora’s safe and dry life begins to fray, as she is torn between protecting her baby sister and facing up to a truth she has always known but never admitted. And the sea keeps calling her, reminding her of what she saw beneath the waves all those years ago… of what will be waiting for her if she dives in again.
Enter now!
a Rafflecopter giveaway
CFP: 'Profitable and spedful to use': Medieval and Early Modern Prayer
A Postgraduate Conference
Friday 19th September 2014, Cardiff University
Generously funded by Cardiff University Graduate College, this one-day conference will address the theme of prayer in the Medieval and Early Modern periods. Given its pervasive nature as an element of Medieval and Early Modern culture, prayer is often overlooked by scholars as a discrete topic of enquiry. Prayer’s very ubiquity in the literature, historical record and material culture of the time has led, perhaps counterintuitively, to a lack of sustained critical attention, at least in some disciplines. In the context of a religiously-literate society, prayer performs many functions beyond its role in worship, with its artistic, rhetorical and performative aspects often used for propagandistic, interrogative or subversive means, among others.
The topic of prayer has of late gained momentum amongst Early Modern scholars, but in Medieval Studies it is only just beginning to emerge as a field of enquiry. This conference aims to bring together researchers in this up-and-coming area. This theme is, by its nature, interdisciplinary, encompassing literature, history and religion, and we are seeking to reflect this interdisciplinarity throughout the day’s events. By inviting speakers from these, and related, disciplines, we hope that the day will offer a broad and rich insight into Medieval and Early Modern prayer.
We are delighted to announce that Dr Alastair Bennett (Royal Holloway, University of London) will be giving a keynote lecture.
We invite papers from researchers in the fields of archaeology, architecture, art history, history, language, literature, music, philosophy, politics, religion, and other relevant disciplines to submit abstracts of 300 words. Topics can include:
- Literary prayer
- Theory of prayer
- Prayer in liturgy
- Prayer and music
- Prayer and Biblical translation
- Prayer and rhetoric
- Prayer and violence
- Language of prayer
- Prayer as protest
- Prayer manuals
- Prayer books
- Prayer and politics
- Teaching on prayer
- Private devotion
- Prayer as magic
- Physical manifestations of prayer (e.g. objects, buildings, art, etc.)
- Any other related topic
Please send abstracts for papers of 20 minutes by the 9th of July 2014 to Judith Dray and Sheri Smith.
Friday 19th September 2014, Cardiff University
Generously funded by Cardiff University Graduate College, this one-day conference will address the theme of prayer in the Medieval and Early Modern periods. Given its pervasive nature as an element of Medieval and Early Modern culture, prayer is often overlooked by scholars as a discrete topic of enquiry. Prayer’s very ubiquity in the literature, historical record and material culture of the time has led, perhaps counterintuitively, to a lack of sustained critical attention, at least in some disciplines. In the context of a religiously-literate society, prayer performs many functions beyond its role in worship, with its artistic, rhetorical and performative aspects often used for propagandistic, interrogative or subversive means, among others.
The topic of prayer has of late gained momentum amongst Early Modern scholars, but in Medieval Studies it is only just beginning to emerge as a field of enquiry. This conference aims to bring together researchers in this up-and-coming area. This theme is, by its nature, interdisciplinary, encompassing literature, history and religion, and we are seeking to reflect this interdisciplinarity throughout the day’s events. By inviting speakers from these, and related, disciplines, we hope that the day will offer a broad and rich insight into Medieval and Early Modern prayer.
We are delighted to announce that Dr Alastair Bennett (Royal Holloway, University of London) will be giving a keynote lecture.
We invite papers from researchers in the fields of archaeology, architecture, art history, history, language, literature, music, philosophy, politics, religion, and other relevant disciplines to submit abstracts of 300 words. Topics can include:
- Literary prayer
- Theory of prayer
- Prayer in liturgy
- Prayer and music
- Prayer and Biblical translation
- Prayer and rhetoric
- Prayer and violence
- Language of prayer
- Prayer as protest
- Prayer manuals
- Prayer books
- Prayer and politics
- Teaching on prayer
- Private devotion
- Prayer as magic
- Physical manifestations of prayer (e.g. objects, buildings, art, etc.)
- Any other related topic
Please send abstracts for papers of 20 minutes by the 9th of July 2014 to Judith Dray and Sheri Smith.
Monday, 19 May 2014
CFP: Seventeenth Biennial Meeting of the International Society of Anglo-Saxonists
University of Glasgow, 3–7 August 2015 (post-conference excursion to Iona, 8–9 August 2015)
Call for Papers
The conference theme is “The Daily Life of the Anglo-Saxons”. Ordinary Anglo-Saxons are often less visible to us than the key political and religious figures, but their lives shaped and were shaped by the wider events of the early medieval period. The theme encompasses all aspects of life, whether mundane or glamorous, covering activities such as farming and cooking, trade and craftsmanship, child-rearing and education, as well as government and administration, religion and devotional practices, travel and communication, medicine, art and leisure. The theme is a broad one by design to accommodate not only archaeological and historical investigations, but also explorations of the language, literature and place-names of the period. Papers on open topics are also welcome.
Proposals will be evaluated “blind” by members of the ISAS Advisory Board. Decisions regarding which proposals are accepted will be announced by January 2015.
Papers should be no more than 20 minutes in length, and will be grouped into 3-paper sessions of one hour and 30 minutes in length so as to leave time for questions and discussion. Proposals are welcome for individual papers or for complete sessions. Abstracts, whether for papers or for sessions, should be no more than 500 words in length (including bibliography). Abstracts are also required for individual papers within a proposed session.
Proposals are also welcome for project reports, which should be no more than 10 minutes in length and will be grouped into 5-report sessions of one hour so as to leave a short time for factual questions. Abstracts for project reports should be no more than 250 words in length (including bibliography).
All sessions will be held in a room that is fully equipped with audiovisual and computer equipment.
Abstracts can be submitted from 15 June 2014 to 15 October 2014 via the submission site (note: this link will not be active beforehand). There you will receive instructions as to how to submit your proposal. To submit an abstract within the permitted amount of time online, you might wish to prepare it first as a word-processing document, then copy and paste it in. Please note that the deadline of 15 October is necessary to allow time for the reviewing process, and will not be extended.
Please note that in order to present at ISAS Glasgow, it is necessary to be a current member of ISAS. Information on joining ISAS or updating membership can be found on the ISAS website. http://www.isas.us/mem.html
Questions or problems relating to the submission of proposals may be directed either to the conference host, current ISAS President Carole Hough or to Executive Director Martin Foys.
Call for Papers
The conference theme is “The Daily Life of the Anglo-Saxons”. Ordinary Anglo-Saxons are often less visible to us than the key political and religious figures, but their lives shaped and were shaped by the wider events of the early medieval period. The theme encompasses all aspects of life, whether mundane or glamorous, covering activities such as farming and cooking, trade and craftsmanship, child-rearing and education, as well as government and administration, religion and devotional practices, travel and communication, medicine, art and leisure. The theme is a broad one by design to accommodate not only archaeological and historical investigations, but also explorations of the language, literature and place-names of the period. Papers on open topics are also welcome.
Proposals will be evaluated “blind” by members of the ISAS Advisory Board. Decisions regarding which proposals are accepted will be announced by January 2015.
Papers should be no more than 20 minutes in length, and will be grouped into 3-paper sessions of one hour and 30 minutes in length so as to leave time for questions and discussion. Proposals are welcome for individual papers or for complete sessions. Abstracts, whether for papers or for sessions, should be no more than 500 words in length (including bibliography). Abstracts are also required for individual papers within a proposed session.
Proposals are also welcome for project reports, which should be no more than 10 minutes in length and will be grouped into 5-report sessions of one hour so as to leave a short time for factual questions. Abstracts for project reports should be no more than 250 words in length (including bibliography).
All sessions will be held in a room that is fully equipped with audiovisual and computer equipment.
Abstracts can be submitted from 15 June 2014 to 15 October 2014 via the submission site (note: this link will not be active beforehand). There you will receive instructions as to how to submit your proposal. To submit an abstract within the permitted amount of time online, you might wish to prepare it first as a word-processing document, then copy and paste it in. Please note that the deadline of 15 October is necessary to allow time for the reviewing process, and will not be extended.
Please note that in order to present at ISAS Glasgow, it is necessary to be a current member of ISAS. Information on joining ISAS or updating membership can be found on the ISAS website. http://www.isas.us/mem.html
Questions or problems relating to the submission of proposals may be directed either to the conference host, current ISAS President Carole Hough or to Executive Director Martin Foys.
CFP: Mid-American Medieval Association XXXIX: Collectivity and Exchange
with a keynote by Dr Pamela Sheingorn
Papers are invited on a range of topics, including the conference theme of ‘Collectivity and Exchange’ for the annual meeting of the Mid-America Medieval Assn, which will convene on Saturday, 28 February 2015, at the University of Missouri-Kansas City.
Collectivity might be imagined expansively to include not just temporal but also ephemeral and spiritual communities. Exchange might also be considered in various forms, from economic and material to ideological and philosophical.
Please send proposals of 250 words by 1 December 2014 to:
Dr Virginia Blanton
Department of English, CH106
University of Missouri-Kansas City
5121 Rockhill Road
Kansas City, Missouri 64110 USA
Papers are invited on a range of topics, including the conference theme of ‘Collectivity and Exchange’ for the annual meeting of the Mid-America Medieval Assn, which will convene on Saturday, 28 February 2015, at the University of Missouri-Kansas City.
Collectivity might be imagined expansively to include not just temporal but also ephemeral and spiritual communities. Exchange might also be considered in various forms, from economic and material to ideological and philosophical.
Please send proposals of 250 words by 1 December 2014 to:
Dr Virginia Blanton
Department of English, CH106
University of Missouri-Kansas City
5121 Rockhill Road
Kansas City, Missouri 64110 USA
Wednesday, 30 April 2014
OUT NOW: Wounds in the Middle Ages, ed. Anne Kirkham and Cordelia Warr (Ashgate, 2014)
A new collection of essays on wounds and wound treatment in the Middle Ages, co-edited by our president, Cordelia Warr, and including an essay by our treasurer, Hannah Priest.
Wounds were a potent signifier reaching across all aspects of life in Europe in the middle ages, and their representation, perception and treatment is the focus of this volume. Following a survey of the history of medical wound treatment in the middle ages, paired chapters explore key themes situating wounds within the context of religious belief, writing on medicine, status and identity, and surgical practice. The final chapter reviews the history of medieval wounding through the modern imagination.
Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and healing and will improve knowledge of not only the practice of medicine in the past, but also of the ethical, religious and cultural dimensions structuring that practice.
Contents:
Part I: Medical Overview
1. The Management of Military Wounds in the Middle Ages
Jon Clasper
Part II: Miraculous Wounds and Miraculous Healing
2. Changing Stigmata
Cordelia Warr
3. Miracle and Medicine: Conceptions of Medical Knowledge and Practice in Thirteenth-Century Miracle Accounts
Louise Elizabeth Wilson
Part III: The Broken Body and the Broken Soul
4. The Solution of Continuous Things: Wounds in Late Medieval Medicine and Surgery
Karine van 't Land
5. Medicine for the Wounded Soul
M.K.K. Yearl
Part IV: Wounds as Signifiers for Romance Man and Civil Man
6. Christ's Wounds and the Birth of Romance
Hannah Priest
7. Wounding in the High Middle Ages: Law and Practice
Jenny Benham
Part V: Wound Surgery in the Fourteenth Century
8. Medicines for Surgical Practice in Fourteenth-Century England: The Judgement Against John le Spicer
Ian Naylor
9. The Medical Crossbow from Jan Yperman to Isaak Koedijck
Maria Patijn
Part VI: The Modern Imagination
10. The Bright Side of the Knife: Dismemberment in Medieval Europe and the Modern Imagination
Lila Yawn
About the Editor: Dr Anne Kirkham is a research associate at the University of Manchester. She obtained her PhD in 2007 and has published an article on St Francis of Assisi in Revival and Resurgence in Christian History (Studies in Church History, vol. 44, 2008). Since 2008, she has taught in the department of Art History and Visual Studies and researched, with Cordelia Warr, medieval wounds and has also co-supervised medical students researching dissertations in the history of medieval medicine.
Dr Cordelia Warr is senior lecturer in Art History and Visual Studies at the University of Manchester. She has published on Dressing for Heaven (2010), has co-edited two books on art in Naples with Janis Elliot (The Church of Santa Maria Donna Regina, 2004, and Art and Architecture in Naples, 1266-1714, 2010), and is currently working on the representation of stigmata between the thirteenth and seventeenth centuries.
For more information about the book, please visit the publishers' website.
Wounds were a potent signifier reaching across all aspects of life in Europe in the middle ages, and their representation, perception and treatment is the focus of this volume. Following a survey of the history of medical wound treatment in the middle ages, paired chapters explore key themes situating wounds within the context of religious belief, writing on medicine, status and identity, and surgical practice. The final chapter reviews the history of medieval wounding through the modern imagination.
Adopting an innovative approach to the subject, this book will appeal to all those interested in how past societies regarded health, disease and healing and will improve knowledge of not only the practice of medicine in the past, but also of the ethical, religious and cultural dimensions structuring that practice.
Contents:
Part I: Medical Overview
1. The Management of Military Wounds in the Middle Ages
Jon Clasper
Part II: Miraculous Wounds and Miraculous Healing
2. Changing Stigmata
Cordelia Warr
3. Miracle and Medicine: Conceptions of Medical Knowledge and Practice in Thirteenth-Century Miracle Accounts
Louise Elizabeth Wilson
Part III: The Broken Body and the Broken Soul
4. The Solution of Continuous Things: Wounds in Late Medieval Medicine and Surgery
Karine van 't Land
5. Medicine for the Wounded Soul
M.K.K. Yearl
Part IV: Wounds as Signifiers for Romance Man and Civil Man
6. Christ's Wounds and the Birth of Romance
Hannah Priest
7. Wounding in the High Middle Ages: Law and Practice
Jenny Benham
Part V: Wound Surgery in the Fourteenth Century
8. Medicines for Surgical Practice in Fourteenth-Century England: The Judgement Against John le Spicer
Ian Naylor
9. The Medical Crossbow from Jan Yperman to Isaak Koedijck
Maria Patijn
Part VI: The Modern Imagination
10. The Bright Side of the Knife: Dismemberment in Medieval Europe and the Modern Imagination
Lila Yawn
About the Editor: Dr Anne Kirkham is a research associate at the University of Manchester. She obtained her PhD in 2007 and has published an article on St Francis of Assisi in Revival and Resurgence in Christian History (Studies in Church History, vol. 44, 2008). Since 2008, she has taught in the department of Art History and Visual Studies and researched, with Cordelia Warr, medieval wounds and has also co-supervised medical students researching dissertations in the history of medieval medicine.
Dr Cordelia Warr is senior lecturer in Art History and Visual Studies at the University of Manchester. She has published on Dressing for Heaven (2010), has co-edited two books on art in Naples with Janis Elliot (The Church of Santa Maria Donna Regina, 2004, and Art and Architecture in Naples, 1266-1714, 2010), and is currently working on the representation of stigmata between the thirteenth and seventeenth centuries.
For more information about the book, please visit the publishers' website.
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